6/13/2011

FL Studio 10.02

FL Studio 10.02



FL Studio is the most complete virtual studio currently available. It will play any sample file (wav), generator (softsynth), VSTi & DXi) or midi instrument you feed it. You will be creating wav, mp3 or midi songs or loops only minutes after launching it. FL Studio 10 is a complete software music production environment, representing the culmination of more than 10 years of sustained & focused development. FL10 is the fastest way from your brain to your speakers. FL Studio is a full-featured, open architecture, music production environment capable of audio recording, composing, sequencing and mixing, for the creation of professional quality music. The FL Studio philosophy is creative freedom.


1/16/2011

Reason 5

The Reason rack comes with all the gear you could possibly need: samplers, analog synths, graintable synth, vocoder, mixer, drum machines, arpeggiator, compressors, EQ and effects. With its generous sound bank and intuitive flow, Reason helps you along in your creative process, and never gets in your way. Version 5 adds the mighty Kong Drum Designer, the versatile Dr. Octo Rex loop player, live sampling input, the Blocks pattern based sequencing mode and more.

About Reason

Reason's heart is its virtual rack of instruments and effects. As you create your track, Reason automatically patches and cables your rack. If you want to get deep, simply flip the rack around and route the cables any way you like.
Finding your sound is an important part of the musical process. With Gigabytes of synths, samples, drum kits, and effects, Reason's sound bank is packed with everything you'll need from the start. Want more? Expand your palette with a world of ReFill libraries.
The thing that strikes new Reason users most is how much they get done in a short amount of time. Reason's legendary creative flow keeps you focused on the music — and the fun. At all times.
Need more gear? No problem. Choose a synth, a drum machine, a loop player or any device from the Create menu and it will instantly appear in your rack, logically patched into the signal chain. And because Reason is designed to go easy on your computer, you can repeat the process until you're more than happy.
Each unit in Reason's virtual rack is edited from its own on-screen front panel. All the sliders, knobs, buttons and functions are right in front of you, ready to be tweaked, turned and twisted in absolute real-time. And all your front panel actions — filter adjustments, pitch bending, gain riding or panning — can be recorded and automated in the Reason sequencer.
A single key press will turn Reason's rack around, and there you are, in patch cord heaven. Most audio connections are made automatically. When a new device is created, it appears immediately below the currently selected device, and Reason patches it into the system in the most logical way. Repatch by dragging the patch cord plug to the desired connector to build your own sounds — or tweak the included presets.

New in Reason 5

Dr. Octo Rex Loop Player
The upgraded Dr. Octo Rex loop player loads eight REX loops into one player and lets you switch between them on the fly. This makes arranging a breeze — load the drum loops into one player, the guitars into another and use the sequencer to select what loop to play in a pattern-like fashion. With eight loops to switch between, the new loop player also comes ready for the experimental minded. Set the player to retrig the loops on the beat, on the bar or on the 16th note. Or program the loops manually like in the original rex player. For each of the eight loops, the new rex player also comes with an expanded set of per-slice settings. Set pan, pitch, filter frequency and level, reverse slices, use multiple outputs, create alternating groups of slices and much more. The Reason 5 Factory Sound Bank comes complete with guitar and acoustic drums patches for Dr. Octo Rex and a huge selection of techno, house, club, hip hop and r&b loops from signature sound designers.
Blocks
Many musicians tend to think of music in terms like intro, verse, chorus, breakdown, buildup and so on. With the new Blocks mode in Reason 5 and Record 1.5, your sequencer does too. Blocks lets you sequence your songs using a more pattern-based approach, with the segments of your song as individual building blocks to be laid out in your arrangement. Start by creating the discrete parts of your song in blocks mode. When you are ready to start building your song, just switch back to song mode and draw in what blocks should play in the dedicated pattern lane. Use one block for the verse and one for the chorus — or build your song around a single 8-bar loop. Blocks provide a very fast way of creating a musical structure for your song. But the options don't end there. With the basic arrangement laid out, you can see the contents of the blocks and create variations and mute individual parts, or add further musical elements in song mode. A typical use for Blocks is to create your backing track in blocks and then use the song mode sequencer to record vocals or instrumental performances. For music based around a single looped section, one repeated block with automation and mutes of individual tracks added in song mode makes arranging a breeze. You never have to commit to using either mode — you are free to move back and forth between Blocks and Song mode, and any changes you make in your Blocks will instantly be manifested in all instances of that Block. Need some tambourine on that chorus? Add it, and there will be tambourine whenever the chorus block is playing.
Live Sampling
Remember the time when samples were something you sampled and not loaded from your hard drive? When a sampler was a machine that could record samples, not just play them back. As samplers became software instead of machines, they came to rely on external sample editing software for recording and editing the samples and the art of spur-of-the-moment creative sampling was pretty much lost. Now we are bringing it back to Reason 5 with its live sampling input. All sample players in Reason are now samplers. Just hook up a sound source to the rack's sampling input and you are ready to start sampling. Use a mic, a turntable, an instrument or the entire Reason mix. Sampling in Reason is simple and straightforward. Hit the sample button and Reason starts sampling. Reason will detect the sample start automatically. You can sample when Reason is running too if you like — no need to stop the music. If needed, bring up the built-in sample editor to set start and end points, loop points and more. This is possible for all loaded samples by the way — not only the ones you have sampled. As always, Reason lets you focus on music making — and sampling in this case. All samples are neatly stored in our song file and accessible in the new samples pane in the tool window. Here you can easily see what samples are loaded into what machine and delete and export samples as you wish. Live sampling together with pitch detection of root key and automatic zone mapping makes it dead easy to sample an instrument and map the samples across the keyboard. This way you'll create your own multi-sampled instruments for NN-XT and NN-19 in an instant.
Kong Drum Designer
Analog synthesis, physical modeling, sampling, REX loops, support sound generators, effects, flexible routing, multiple hit types and more. The Kong Drum Designer is not your regular drum module. It's the drum module focused on letting you get exactly that drum sound you're after. Kong has 16 pads and 16 drums. Build your drum sounds based on any of the nine different drum modules. Flavor the sound with 11 support generators and effects. Program automation, create alternating groups and let Reason's powerful sequencer control the beat. Reason 5 ships with a sound bank with a generous supply of kits for Kong across a wide variety of styles.

System Requirements

Windows
  • Intel Pentium 4/AMD Athlon or better (multiple cores highly recommended)
  • 1GB RAM
  • DVD drive
  • Windows XP SP3, Vista or Windows 7
  • 2 GB free hard disk space
  • Monitor with 1024x768 resolution or larger
  • A 16 bit Windows compatible audio card, preferably with an ASIO driver
  • A MIDI interface and a MIDI keyboard recommended
  • Requires any version of Reason or Record Reason Duo
Mac
  • Intel Mac (multiple cores highly recommended)
  • 1 GB RAM or more
  • DVD drive
  • Mac OS X 10.4 or later
  • 2 GB free hard disk space
  • Monitor with 1024x768 resolution or larger
  • CoreAudio compliant audio interface or built-in audio hardware
  • A MIDI interface and a MIDI keyboard recommended
  • Requires any version of Reason or Record Reason Duo

11/28/2010

Ableton Live 8.11 and Ableton Suite 8.11

Ableton Live 8.11 and Ableton Suite 8.11



ABLETON Suite 8 (549 Euro) gives you all of the features in Live 8 plus SOUND, with a radically new Library packed with beautiful new sounds and a wealth of useful resources. Suite 8 contains 10 Ableton instruments including synths, a sampler, electric and acoustic drums, mallets, numerous sampled instruments and the new, reworked Operator. Two completely new instruments, Collision and Latin Percussion, round off the set. Ableton Suite 8 is a complete package: the tools AND the sounds.

Ableton Suite 8 is a software package that gives you a rich world of sound, perfectly complementing the music production tools and features in Live 8, including 10 virtual synthesizers and a huge collection of multi-sample instruments and drums. These include Sampler, Operator frequency modulation synth, Electric classic electronic piano emulator, Collision physical modeling instrument for authentic mallet sounds and creative percussion Tension physical modeling string synth, Analog vintage analog synth emulator, Drum Machines classic drum machine sounds, Session Drums acoustic drums, and Essential Instrument Collection 2 wide range of acoustic and electric pianos, guitars, bass, drums, orchestral instruments, and more, and Latin Percussion Brazilian, Afro-Cuban, and African acoustic percussion instruments.

New for Suite 8 World-class Sample Library With the creative professional in mind, Ableton has put together a well-balanced and comprehensive tool set, including synthesis, real-world "Sound Objects," presets, grooves, templates and, above all, a wide-ranging set of beautiful sounds into the Ableton Suite 8 library.

They worked with some of the world's top sound designers to create a comprehensive set of truly useful, high-end sounds, each one an instrument in its own right, for a total of 1,600 expressive sounds that are new to the line.

The sounds are provided as instrument Racks with a finely calibrated combination of instruments and effects. No need to be quiet in this library.Collision Collision is a unique virtual instrument for authentic mallet sounds and creative percussion. Co-developed with AAS, it uses physical modeling technology to reproduce real-world instruments such as xylophones, marimbas, and glockenspiels, but also provides enough depth to create truly dramatic new instruments and sounds.

Features:

* Multitrack recording up to 32-bit/192 kHz
* Nondestructive editing with unlimited undo
* Powerful MIDI sequencing of software and hardware instruments
* Advanced warping and real-time time-stretching
* Library with over 1600 expressive sounds, each with versatile control options
* A comprehensive selection of built-in audio and MIDI effects
* A wide range of software instruments
* Instrument Racks for simple management of complex instrument setups
* Drum Racks for intuitive and responsive beat-making
* Effect Racks for professional-grade mastering, mixing and creative sound processing
* New groove engine; apply and extract grooves in real time
* Construction kits containing loops and phrases in a number of styles
* Sound Objects Lite, from SonArte: a toolkit of real world object recordings
* 1000s of single-device presets: simple components for making new sounds and exploring synthesis
* Song templates with pre-configured tracks and routing
* Supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files
* VST and AU support; automatic plug-in delay compensation
* REX file support plus built-in audio to MIDI slicing
* Video import and export for scoring, video warping
* Simple MIDI mapping plus instant mapping for selected hardware
* Full ReWire support; runs as Slave or Master
* Multicore and multiprocessor support










11/01/2010

Waves Mercury Complete VST DX RTAS v1 01

Waves Mercury Complete VST DX RTAS v1 01 346 MB


With over 90 stellar processors and over 250 component plug-ins, Mercury features more Waves in one package than ever before! From time-domain effects to equalizers, from dynamics control to noise reduction, from guitar sound modeling to the sound of classic analog components, there has never been such a comprehensive collection as this. The Mercury Collection offers more effects, more channel components, more mixdown tools, more processors than ever before in one place. Finally - the world of Waves in one complete massive collection: Waves Platinum The API Collection L3-LL Multimaximizer L3-16 Multimaximizer V-Series MaxxVolume GTR 3 Z-Noise Vocal Bundle SSL 4000 Collection.

10/31/2010

Roland Fantom Refills 7x Refill

Sound banks from Fantom series,
Launched at the 2008 Winter NAMM show,  the ‘G’ series Fantom arrives in three forms - G6 (61 keys), G7 (76) and G8 (88). The largest of these features Roland’s extremely impressive ‘Ivory’ keyboard response.

6,6Gb

Good Review :

http://www.musicradar.com/gear/all/keys-synths/synthesizers-compact-synthesizers/synthesizers/fantom-g6-148166/review

Bill Laswell Collection Vol I - False Encryptions Refill


Bill Laswell: Volume I False Encryptions
Bill Laswell reveals secret codes from the underground. Break the codes and reformulate this information into new transmissions for broadcast within your own music communication networks. Your new codes will transgress all known music types. The language of Bill Laswell is a musical Esperanto, an amalgam of cultures, subcultures, street cultures. Laswell'streatments of seemingly disparate musical information give equal power to the traditional and the experimental, the conventional and the exotic, the pure form and the strange hybrid. From this emerges a new confluence, a language of music perfectly suited for building original narratives in ACID? software. Embracing rock, funk, hip-hop, electronica, world music, and cinematic/soundtrack music forms, each volume of the Bill Laswell Series promises to give more meaning to your own personal definition of music.

ZeroG NuHouse ReFill

Hard is in the name, and hard house is the game. A fantastic collection of tough construction kits and individual samples from Zero-G in a package with ACIDized WAV ready to roll: chunky drums and loops, pounding bass lines, cutting synths and bubbling filters. Features 30 construction kits, with tracks up to 3 minutes long, and a second CD full of loops, drums, synths, pads, arps, swells, hits and fx.

"..Construction Kits are the way forward for sample CDs it would seem, and just to prove the point look no further than Nu House, an absolutely mental collection of all the sounds you'll ever need for putting together your own hard house and nu-NRG tracks. Following each demo are the constituent parts, amounting to a goldmine of usable samples, from power kicks, tough percussion loops, throbbing basslines and in-yer-face lead lines to indispensable filter sweeps and effects. If you like it hard, fast and powerful, this is not to be missed!..."
FUTURE MUSIC UK

"...the overall production is excellent throughout... There's plenty to get your teeth into..."
COMPUTER MUSIC UK

"Specifically aimed at the hard house market, it won't be long before those into hard trance or even slightly more progressive stuff will be referencing this CD either."
"MARK.EG" - INTERNET

"Nu House is a very cool refill... The sounds are extremely up to date... Sound quality is perfect and usability very high... very inspiring and will get you started in a flash... All you could wish for... the loops are recycled with great precision and care. They are programmed very well and show that the creator knows his hard house programming... Many times you come across a sample library that claims to be for house producers and then it contains weak sounds which don't reflect the scene in any way. This refill certainly does..."

Deep House Progressions Vol 3 Refill

'Deep House Progressions Vol 3' is the final product in the series and includes five final multi-format construction kits sure to take your house productions to deeper, uncharted depths. This pack comes in a choice of ACID WAV, Apple Loops, REX and Reason ReFill formats. MIDI files have also been included to provide enhanced versatilty.

Producer Oriol Benedet brings a wealth of experience to this diverse set of construction kits. You'll find smooth basslines, sparse percussion, stabs and sweeping fx inspired by some of the deepest, grooviest club shakers.

Each construction kit is recorded at 125BPM, making all of the loops completely interchangeable with one another. All files in the ACID WAV and Apple Loops' versions are key and tempo tagged, meaning they will automatically slot into your project with ease.

'Deep House Progressions Vol 3' will give your tracks the edge they need to keep playing well into the night. Check out the audio demo to hear it in action.

Multi Format:
'Deep House Progressions Vol 3' caters to the increasingly diverse range of producers' DAW setups, and comes complete with ACID WAV, REX2, Apple Loops, Reason ReFill and MIDI. All files are key and tempo tagged, both in their filename and metadata, enabling seamless and hassle-free integration into your tracks.

About the Construction Kits:
All of the elements of each construction kit have been broken-out into separate files. Each part has been isolated so you can choose which parts you want to use in your own track. All parts are "looped" perfectly, so you can simply drag and drop the desired parts into your music sequencer.

The Electro Jazz Retro Funk Thing Refill

Electro Jazz Funk Thing

This CD contains a wide range of vintage instruments (such as Wurlitzer & Rhodes pianos) as well as a plethora of slammin' drum loops, colorful effects loops and much more. In addition to offering convenient construction kits, there's a huge variety of tasty Wurlitzer & Rhodes chords that make it easy to get that classic Jazz sound into your project. Also featured are Clavinet loops, vintage synth string and analog pads and drum and cymbal hits to make this CD the ideal! It's a great source of sounds for anyone looking to add authentic Retro or Electro Jazz flavor reminiscent of the sound made famous by the likes of the Headhunters and Herbie Hancock. It's the bomb! Reviews Future Music, June 2001 All sounds on this CD can be previewed from our online sound library. File Format: Audio.



BT - Twisted Textures Refill



It's time to unleash the power of art, spirit and sound with BT's new sample CD - Twisted Textures. Twisted Textures is a massive two disc collection of sounds, pads, and waveforms that will lead you into all realms of the human condition and beyond the doorways of ordinary reality. Included with these amazing textures is a guide organized by emotion to help you narrow your search as you explore the complexity and depth this CD has to offer. So no matter what project you are working on, Twisted Textures has a sound for you. Suspend time and open your heart as you enjoy Twisted Textures.